Review – Get It Into Ya! – Tom Gleeson

In what seems like an awfully quick one hour, Tom Gleeson takes us on a rollicking ride of personal stories – everything from moving into a former morgue in Romsey, Victoria, to stories about the village oddball who knocks on people’s doors late at night announcing “Where’s Jeff?” (you have to see the show to ‘get it’). Gleeson has us wrapped around his animated little finger from the word go.

The hysterical, slap-your-knee, throw-your-head-back with laughter climax is when Gleeson snarls and yells with a bright red face of frustration, the true story of the skin cancer ‘lesion’ on his head and the posted letter of diagnosis he received from “Dr Skinner.” He expresses his anxiety over said lesion with such anger, veins popping and rock-star like maneuvers – the crowd just roars.

Gleeson’s Get It Into Ya!show is presented in the intimate setting of the Sydney Comedy Store. He engages the audience right off the bat, finding out who the youngest member of the audience is and having a bit of a casual chat with her and familiarising himself with fellow ‘baldies.’ He has that appealing energy and vibe of the ‘he’s just a mate in a bar’ variety, who’s finished work (as he’s always donned in a shirt and tie), downed a few and then gets up and takes the floor to entertain his mates.

He is downright hilarious – really laugh out loud funny. He has a good stab at people in general including asking us what we think of Gillard, to which people were very lukewarm…he’s not overly offensive or overly gross like some comedians; he is sharp and sophisticated with a pinch of below-the-belt humor.

I really would have enjoyed another half hour or so of Tom Gleeson, he’s great to watch and when it comes down to it, is there really anything better than having a good laugh?



Review – Kitty Flanagan – Charming & Alarming Tour

The Playhouse, Sydney Opera House.
August 13 – 21

What a gem, an absolute hoot, a woman with big hair who’s witty – That’s Kitty.

Normally I find I’m not a fan of the stand-up fem comedienne. I generally find that I just don’t find them as funny as men. Why? I don’t know. It’s not a sexist thing it’s just about what makes me laugh and what doesn’t.

Kitty Flanagan, however, has changed all that – she’s turned the tables for me and shifted my thinking. I’ve now become a ‘raving fan’ – I’ve touted, posted and twittered about how good Kitty is.

Opening with her sister Penny Flanagan on guitar singing a Dixie Chicks song, Kitty walks onstage welcomed by rousing applause. A familiar face on the comedy scene, Flanagan is known by audiences for her appearances in Australia on the 7PM Project, Full Frontal and Good News Week. Kitty Flanagan’s ‘Charming & Alarming’ show, which debuted last year and is back with a vengeance is absolutely worth the ticket price! She is laugh-out-loud funny, not just chuckle-worthy but really throw-your-head-back and clap funny.

Flanagan has the great knack of taking us on a raucous ride through the behaviour of people in society, class, countries, retirement and Catholicism. She has a go and a stab at ‘yummy-mummies’, ‘white-trash’ and teens whose language consists of ‘basically’, ‘literally’ and ‘Dya-know-what-I-mean’. We’ve all seen it and heard it, but Kitty can do it. She ‘literally’ mimics these stereotypes to a T. She is also a gun at actions and physicality, ever engaging us with her hysterical ‘impressions’ of people. She can take on the physicality and vocal variety of men in jail, toffs on the golf course, preggers teen mums, drunken women falling over themselves after a long night out, ‘Aussies’ and more. I experienced umpteen ‘That’s so true!’ moments in relation to her authenticity of characters and ‘take-offs’.

Flanagan is also so casual and unassuming, appearing in simple black trousers, and collared black top – no flouncy outfit or props, just herself and us, the audience. I loved the simplicity. She has this incredible knack of building a relationship with us, that we feel we know her personally. It’s as if we’re in a bar with her and she’s just got up to relive some moments that she’d observed on her travels, that she thought were hilarious and worth retelling.

Kitty Flanagan is an absolute riot! She goes off … the packed Playhouse roared … it was unanimous – Flanagan = Funny! Definitely get along to this show if you want a good laugh!

Review – Stephen Lynch – 3 Balloons Tour

Warning: If drug references, gay jokes, racial comments, religious comments, fat jokes, sex jokes and more offend you, then you should probably pass on attending a Stephen Lynch gig. His latest show, The 3 Balloons Tour does not shy away from what he’s known for delivering, that is, all of the above-mentioned. Lynch is, as he calls it, a “musician trapped in the body of a comedian”, this is somewhat true, but I don’t think he is trapped in anything; I think he is completely and absolutely as much a comedian as he is a musician/singer.

Lynch is a talented performer who has a sensational voice, and the incredible ability to mimic and improvise. Plus, he can play classical guitar and piano falling off a log, and no doubt other instruments too.

Lynch may not be PC, but I did find him hilarious. Yes, he does often have a go at anyone and everyone no holds barred, including swearing at the crowd and yelling at hecklers. He got a tad frustrated with one of them and sang sweetly that this particular heckler was a ‘C%*T’, to which the crowd responded with a ruckus roar.

Before you turn your nose up at the comedian, it must be said that he has a few notable achievements under his belt. To date, he has released two studio and live albums, and his YouTube clip viewings are in the millions. Furthermore, he is also a Tony-Award nominated actor and starred in the Broadway show, The Wedding Singer.

I had in my head that he would appeal to the university crowd and I did feel a bit out of place at the Metro (which Lynch referred to as a “dodgy old porno”), as the 500-odd crowd sported Metallica tops and ‘goatees.’ They howled, hooted and hollered at Lynch’s squirm-worthy descriptions and vulgar miming actions. These were loyal hard-core fans who knew all the words to his songs including Little Gay Robot, Waiting (about AIDS), Big Titties of Yours, Special Ed (about a disabled friend), Craig (about Catholics) – you get the picture!

Lynch isn’t doing shock-worthy work because he needs to, he has the talent to make it as a singer in the traditional sense, but then he would be ‘just another singer with a great voice’ perhaps that’s why he has decided to push the envelope and go the risqué route. You can tell he really loves getting people going, seeing how far he can wind people up. I think what makes Lynch different from being just another comedian who uses shock tactics is his sheer talent and intelligence. It appears that he no doubt sees the absurd and the ridiculous in the everyday, and he is not backwards in coming forwards about what 99% of people treat as the ‘elephant in the room’ scenario.

Yes, some people will find him confronting, offensive and rude, but I thought he was quick and nuanced. I thought his work was clever as well as crude, relevant as well as rude.

Lynch had us laughing at society at large, and though he occasionally crossed the line and mentioned a few things that can be viewed as downright wrong, his purpose seemed more for sensationalism than anything else, especially when he said, “Tragedy +Time = Comedy.’ As they say, if we can’t laugh at ourselves who can we laugh at? I’ll let you be the judge.